BIBLIOGRAPHY
Co-edited anthologies
Fogarty, Mary and Imani Kai Johnson (Eds). The Oxford Handbook of Hip Hop Dance Studies. Oxford University Press, 2022.
Evans, Mark and Mary Fogarty (Eds). Movies, Music and Moves: The Sonic World of Dance Films. Series: Genre, Music and Sound. Sheffield: Equinox, 2016.
Chapters in books
Fogarty, Mary. “Each One Teach One: B-Boying and Ageing,” That’s the Joint! The Hip Hop Studies Reader (third edition), edited by Murray Forman, Mark Anthony Neal and Regina N. Bradley. Routledge, 2023. Print.
Fogarty, Mary and Jason Noer. “Hip-Hop Dance and the Circulation of Footage,” Hip-Hop Archives: The Politics and Poetics of Knowledge Production, edited by Mark V. Campbell and Murray Forman. Intellect Books, 2023. Print.
Fogarty, Mary. “What Makes a Man Break?” The Oxford Handbook of Hip Hop Dance Studies, edited by Mary Fogarty and Imani Kai Johnson. Oxford University Press, 2022.
DeNaro, Anthony “YNOT” and Mary Fogarty. “Make the Letters Dance: A Hip Hop Approach to Creative Practice,” The Oxford Handbook of Hip Hop Dance Studies, edited by Mary Fogarty and Imani Kai Johnson. Oxford University Press, 2022.
McKesey, Leah, Diana Reyes and Mary Fogarty. “Staging Hip Hop Dance: Fly Girls in the House,” The Oxford Handbook of Hip Hop Dance Studies, edited by Mary Fogarty and Imani Kai Johnson. Oxford University Press, 2022.
Fogarty, Mary. “The Periphery in Musical Meaning-Making: Thunder Bay’s Crocks N Rolls and a Stretch of Canadian Highway,” Geographically Isolated and Peripheral Music Scenes: Global Insights and Perspectives, edited by Christina Ballico. Pallgrave MacMillan, 2021. Print.
Fogarty, Mary. “Following the Thread: Toronto's Place in Hip-Hop Dance Histories.” We Still Here. Hip Hop North of the 49th Parallel, edited by Charity Marsh and Mark Campbell. Kingston: Queen's University Press, 2020. Print.
Woehrel, Mary Fogarty. “Unlikely Resemblances: Beyoncé, “Single Ladies” and Comparative Judgment in Popular Dance.” Beyoncé: At Work, On Screen, and Online edited by Martin Iddon and Melanie Marshall. Indiana University Press, 2020. Print.
Fogarty, Mary. “Why Are Breaking Battles Judged? The Rise of International Competition.” The Oxford Handbook of Dance and Competition, edited by Sherril Dodds. Oxford: Oxford University Press, 2018. Print
Fogarty, Mary and Mark Evans. "The Sonic World of Dance Films." Movies, Moves and Music: The Sonic World of Dance Films. Eds. Mark Evans and Mary Fogarty. Sheffield: Equinox, 2016. Print
Fogarty, Mary. "From Beat Street to Step Up 3D: The Sound of Street Dance Films." Movies, Moves and Music: The Sonic World of Dance Films. Eds. Mark Evans and Mary Fogarty. Sheffield: Equinox, 2016. Print
Fogarty, Mary. “The Body and Dance.” The Routledge Reader on the Sociology of Music. Eds. John Shepherd and Kyle Devine. London: Routledge, 2015. 245-254. Print.
Fogarty, Mary. “Gene Kelly: The Original, Updated.” The Oxford Handbook of Dance and the Popular Screen. Ed. Melissa Blanco Borelli. Oxford: Oxford University Press, 2014. 83-97. Print.
Fogarty, Mary. “Each One Teach One: B-Boying and Ageing.” Ageing and Youth Cultures. Eds. Andy Bennett and Paul Hodkinson, Oxford: Berg, 2012. 53-65. Print.
Co-edited Journal Issues
Ng, Jason and Mary Fogarty. “Breaking and the Olympics.” Global Hip Hop Studies 4.1 (2023).
Fogarty, Mary and Gina Arnold. “Taking Taylor Seriously,” Contemporary Music Review 40.1 (2021).
Gerecke, Alana and Mary Fogarty Woehrel. "Backspace: A Special Issue on Dance Studies,” Performance Matters 5.1 (2019).
Single author journal articles
Woehrel, Mary Fogarty. “On Popular Dance Aesthetics: Why Backup Dancers Matter to Hip Hop Dance Histories.” Performance Matters, edited by Alana Gerecke and Mary Fogarty Woehrel 5.1 (2019): 116-131.
Fogarty, Mary. "Spontaneous Lux: Freestyling in Hip Hop Dance and Music." Music and Arts in Action, Spec. issue Flirting with Uncertainty, Improvisation in Performance, edited by Jesse Stewart 5.1. (2016): 70-79. http://www.musicandartsinaction.net
Fogarty, Mary. “Breaking Expectations: Imagined Affinities in Mediated Youth Cultures.” Continuum: Journal of Media and Cultural Studies. Spec. issue of Mediated Youth Cultures, edited by Andy Bennett and Brady Robards 26.3 (2012): 449-462. London: Routledge. Print.
Fogarty, Mary. “A Manifesto for the Study of Popular Dance.” Conversations Across the Field of Dance Studies, Spec. issue of Dancing the Popular, edited by Danielle Robinson 30 (2010): 4-5.
Fogarty, Mary. “Learning Hip Hop Dance: Old Music, New Music, and How Music Migrates.” Crossing Conceptual Boundaries II, edited by Derek Robbins (2011): 66-85. London: University of East London.
Fogarty, Mary. “Waacking, (Punking), Recycling, Schooling: Disco Dance on the Move.” Hotfoot, edited by Jeanette Bain-Burnette, 15 (2011): n.p. London: Association of Dance of the African Diaspora.
Joint author journal articles
Ng, Jason and Mary Fogarty. “In pursuit of gold: Breaking’s debut at the Paris Olympics.” Global Hip Hop Studies 4.1 (2023), edited by Jason Ng and Mary Fogarty.
Fogarty, Mary and Gina Arnold. “Are You Ready For It? Re-Evaluating Taylor Swift,” Contemporary Music Review 40.1 (2021).
Fogarty, Mary and Joshua Swamy. “Personal Notation Styles in Breaking: Performance, Identity, and Perspective.” Performance Matters, edited by Alana Gerecke and Mary Fogarty Woehrel 5.1 (2019).
Fogarty, Mary, Erica Cleto, Jessie Zsolt, and Jacqueline Melindy. "Strength in numbers: B-girls, gender identities and hip-hop education." Journal of Popular Music Education 2, no. 1-2 (2018): 115-132.
Olshansky, Michael, Rachel Bar, Mary Fogarty and Joseph DeSouza. “Supplementary motor area and primary auditory cortex activation in an expert break-dancer during visualized dance to music.” Neurocase: The Neural Basis of Cognition (2014): 1-11. DOI: 10.1080/13554794.2014.960428
Film documentary publications and screenings (Director, producer)
Fogarty, Mary. Spontaneous Lux: Freestyling in Hip Hop Dance and Music. Music and Arts in Action, Special issue on Flirting with Uncertainty: Improvisation in Performance. Ed. Jesse Stewart. 5. 1. (2016) Video Documentary. 60 minutes. Screening at Bridge Over Troubled Waters: Challenging Orthodoxies. 17th Biennial Conference, International Association for the Study of Popular Music, Universidad de Oviedo, Gijon, Spain, June 24-28, 2013.
Published papers in conference proceedings.
Fogarty, Mary, Jonathon Osborn and Deanne Kearney. “Camouflaged Identities: The Multiple Legitimacies of Tentacle Tribe.” Keep It Simple! Make it Fast! An Approach to Underground Music Scenes, Vol. 1 (2015), Edited by Paula Guerra and Tania Moreira. Porto: University of Porto. P. 535-545.
Fogarty, Mary. “Musical Tastes in Popular Dance Practices.” Congress on Research in Dance 2012 (Spring). Cambridge University Press (2013): 70-75.
Fogarty, Mary, Luca “Lazylegz” Patuelli and Michèle Moss. “Crash & Create: Exploring Dance Improvisation from Three Perspectives.” Collaboration: Intersections, Negotiations, Mediations in the World of Dance Annual Conference for Canadian Society for Dance Studies in Montréal Proceedings 2012. (2012): n. pag.
Fogarty, Mary. “Sharing Hip Hop Dance: Rethinking Taste in Cross-Cultural Exchanges of Music.” Situating popular musics: IASPM 16th International Conference Proceedings. Ed. Carlo Nardi. (2012): 127-131.
Fogarty, Mary. “Preserving Aesthetics While Getting Paid: Careers for Hip Hop Dancers Today.” What's it Worth? 'Value' and Popular Music: Selected Papers from the 2009 IASPM Australia/New Zealand Conference, edited by Shelley D. Brunt and Kirsten Zemke. Dunedin, N.A.: International Association for the Study of Poplar Music (2010): 30-33.
Book reviews
Rev. of Bodies of Sound, editors Sherril Dodds and Susan Cook. Popular Music, 34: 1 (2015): 142-144.
Rev. of Dancing on the Canon: Embodiments of Value in Popular Dance, by Sherril Dodds. Dance Research. 32. 2 (2014): 269-271.
Rev. of French Moves: The Cultural Politics of le hip hop, author Felicia McCarren, Dance Research Journal, 36: 2 (2014): 112-114.
Rev. of The Hidden Musicians: Music-Making in an English Town, author Ruth Finnegan, Popular Music. 28: 2 (2009): 289-292.
Magazine articles
"The Struggles of Independent Dance Artists: A Toronto Snapshot." EQ Magazine. July 2017.
“Breaking Bad: The New B-Girls.” Dance Current Magazine. March/April 2015. Print.
With Lauren Cook. "Judi Lopez and Her Fly B-Girl Contingent." Dance Matters Blog. October 14 2014. Online.
“Music Creates Opportunity: A New Creation.” Interview with choreographer Crazy Smooth. Centre Stage, Spring 2014: 30-32. Online.