Bio
Mary Fogarty is Associate Professor of Dance at York University, Toronto. Mary has published two collections of research on dance: The Oxford Handbook of Hip Hop Dance Studies (2022, co-edited with Imani Kai Johnson) and Movies, Moves, and Music: The Sonic World of Dance Films (2016, co-edited with Mark Evans). She also co-edited “Taking Taylor Seriously” with Gina Arnold for a special issue of Contemporary Music Review (2021) on Taylor Swift. Other recent research appears in the third edition of That’s The Joint! The Hip Hop Studies Reader (Forman, Neal and Bradley, eds., 2023), Hip-Hop Archives: The Politics and Poetics of Knowledge Production (Campbell and Forman, eds. 2023), We Still Here: Hip Hop North of the 49th Parallel (Marsh and Campbell, eds., 2020), and The Oxford Handbook of Dance Competition (Dodds, ed., 2019).
A long-time member of the KeepRockinYou arts collective that organized the Toronto B-Girl Movement, Mary has performed, taught and choreographed in various countries. Her recent choreographic work, “SoundCheck,” a collaboration with La Clem, will debut in February 2024. She has also served as a judge and head judge at multiple international Breaking competitions, including Olympic qualifiers that will help determine who competes when Breaking debuts at the Paris Summer Olympics (in 2024). With Jason Ng, she has co-edited a double special issue about Breaking and the Olympics for Global Hip Hop Studies ((forthcoming).
Fogarty is currently working on a research project about posture in performance (a preliminary publication, “The Art of Slouching: Posture in Punk,” appears in The Oxford Handbook of Punk Rock, ed. McKay and Arnold, 2021).
Dance on film has never been more relevant or compelling. From Saturday Night Fever, to Black Swan and the Step Up series of street dance movies, mainstream cinema has engaged, entertained and instructed generations of audiences, young and old, in the power of dance to shape bodies and desires. Music and sound are an indelible part of this phenomenon. Music not only motivates dance, it provides the affect that engages issues of sexuality, gender, ethnicity, power and pleasure, present in the dance. Cinematic dance inhabits a particular set of sound worlds, from the intimate to the epic, that place movement and music in a complex frame of engagement for all the senses.
This volume explores the relationships between movement, music and sound as they appear in a variety of screen dance genres. From a historical foundation, Movies, Moves & Music takes a multidisciplinary approach to the consideration of teen dance films, screen dance, pastiches and parodies of historic dance genres, and Bollywood musicals, ending with a phenomenological account of the interaction of the moving body with the world. Films considered include Centre Stage, Flashdance, Across The Universe, 1941, Honey, the Step Up films, and many more. This volume gets to the heart of the impact of screen dance on contemporary culture.